Chantal Joffe, The Front of My Face, 2019
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
The Classical Now, 2018
Chantal Joffe, The Front of My Face, 2019
Chantal Joffe, The Front of My Face, 2019
RA Schools Show 2015, inkjet print with watercolour customisations by artist Max Prus, 2015
Ishbel Myerscough, Grief, Longing and Love, 2020
John Loker, Horizons, Zones and Outer Spaces, 2018
Marcia Farquhar, The Dog's Bolex, 2019
Nicola Hicks, Keep Dark, 2017
Idris Khan, Words Beneath Words, 2019
Physical Information series, Bloomberg SPACE, 2016–2017
John Loker, Horizons, Zones and Outer Spaces, 2018
Marcia Farquhar, The Dog's Bolex, 2019
John Loker, Horizons, Zones and Outer Spaces, 2018
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2016
Lucy Jones, Awkward Beauty, 2019
Marcia Farquhar, The Dog's Bolex, 2019
RA Schools Show 2015, 2015
Sasaki Maki, Ding Dong Circus, 2015
Nicola Hicks, Keep Dark, 2017
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
Ishbel Myerscough, Grief, Longing and Love, 2020
Idris Khan, Words Beneath Words, 2019
Katsumata Susumu, Fukushima Devil Fish, 2018
Nicola Hicks, Keep Dark, 2017
Chantal Joffe, The Front of My Face, 2019
Marcia Farquhar, The Dog's Bolex, 2019
Sargy Mann, Late Paintings, 2019
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
Conrad Shawcross, Psychogeometries, 2018
Hedda Sterne, Vertical Horizontal, 2020
Ishbel Myerscough, Grief, Longing and Love, 2020
John Loker, Horizons, Zones and Outer Spaces, 2018
Lucy Jones, Awkward Beauty, 2019
Katsumata Susumu, Fukushima Devil Fish, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
Idris Khan, Words Beneath Words, 2019
RA Schools Show 2015, 2015
RA Schools Show 2015, Large-format Foamex print, 2015
Nicola Hicks, Keep Dark, 2017
RA Schools Show 2015, 2015
John Loker, Horizons, Zones and Outer Spaces, 2018
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2017
Katsumata Susumu, Fukushima Devil Fish, 2018
The Classical Now, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2017
Lucy Jones, Awkward Beauty, 2019
Sasaki Maki, Ding Dong Circus, 2015
Hedda Sterne, Vertical Horizontal, 2020
Sargy Mann, Late Paintings, 2019
RA Schools Show 2015, inkjet print with watercolour customisations by artist Max Prus, 2015
Sargy Mann, Late Paintings, 2019
Sargy Mann, Late Paintings, 2019
Hayashi Seiichi, Red Red Rock, 2016
Nicola Hicks, Keep Dark, 2017
Conrad Shawcross, Psychogeometries, 2018
Eva Grubunger, Five Problems, 2016
Hayashi Seiichi, Red Red Rock, 2016
Hedda Sterne, Vertical Horizontal, 2020
John Loker, Horizons, Zones and Outer Spaces, 2018
Sargy Mann, Late Paintings, 2019
Marcia Farquhar, The Dog's Bolex, 2019
Nicola Hicks, Keep Dark, 2017
Lucy Jones, Awkward Beauty, 2019
Hedda Sterne, Vertical Horizontal, 2020
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Lucy Jones, Awkward Beauty, 2019
Katsumata Susumu, Fukushima Devil Fish, 2018
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
Hedda Sterne, Vertical Horizontal, 2020
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
The Classical Now, 2018
Jim Isermann, Constituent Components, 2016
Lucy Jones, Awkward Beauty, 2019
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Hedda Sterne, Vertical Horizontal, 2020
RA Schools Show 2015, 2015
Sargy Mann, Late Paintings, 2019
RA Schools Show 2015, 2015
Hayashi Seiichi, Red Red Rock, 2016
Lucy Jones, Awkward Beauty, 2019
RA Schools Show 2015, 2015
Ishbel Myerscough, Grief, Longing and Love, 2020
Sasaki Maki, Ding Dong Circus, 2015
Hedda Sterne, Vertical Horizontal, 2020
Marcia Farquhar, The Dog's Bolex, 2019
Joe Hales studio
215a Kingsland Road, London E2 8AN
020 7729 9599
studio@joehales.co.uk
Idris Khan, Words Beneath Words, 2019
Hedda Sterne, Vertical Horizontal, 2020
Nicola Hicks, Keep Dark, 2017
Lucy Jones, Awkward Beauty, 2019
RA Schools Show 2015, 2015
Marcia Farquhar, The Dog's Bolex, 2019
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2017
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Sasaki Maki, Ding Dong Circus, 2015
John Loker, Horizons, Zones and Outer Spaces, 2018
Sargy Mann, Late Paintings, 2019
Conrad Shawcross, Psychogeometries, 2018
Ishbel Myerscough, Grief, Longing and Love, 2020
RA Schools Show 2015, inkjet print with watercolour customisations by artist Max Prus, 2015
Katsumata Susumu, Fukushima Devil Fish, 2018
Nicola Hicks, Keep Dark, 2017
Lucy Jones, Awkward Beauty, 2019
John Loker, Horizons, Zones and Outer Spaces, 2018
Nicola Hicks, Keep Dark, 2017
Chantal Joffe, The Front of My Face, 2019
Nicola Hicks, Keep Dark, 2017
John Loker, Horizons, Zones and Outer Spaces, 2018
Ishbel Myerscough, Grief, Longing and Love, 2020
Sargy Mann, Late Paintings, 2019
Marcia Farquhar, The Dog's Bolex, 2019
Idris Khan, Words Beneath Words, 2019
RA Schools Show 2015, 2015
Ishbel Myerscough, Grief, Longing and Love, 2020
Idris Khan, Words Beneath Words, 2019
Chantal Joffe, The Front of My Face, 2019
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
Lucy Jones, Awkward Beauty, 2019
Sargy Mann, Late Paintings, 2019
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2016
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
RA Schools Show 2015, 2015
RA Schools Show 2015, inkjet print with watercolour customisations by artist Max Prus, 2015
RA Schools Show 2015, 2015
Hayashi Seiichi, Red Red Rock, 2016
Marcia Farquhar, The Dog's Bolex, 2019
Hedda Sterne, Vertical Horizontal, 2020
Marcia Farquhar, The Dog's Bolex, 2019
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Lucy Jones, Awkward Beauty, 2019
Jim Isermann, Constituent Components, 2016
Katsumata Susumu, Fukushima Devil Fish, 2018
Sargy Mann, Late Paintings, 2019
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Nicola Hicks, Keep Dark, 2017
Conrad Shawcross, Psychogeometries, 2018
Hedda Sterne, Vertical Horizontal, 2020
Lucy Jones, Awkward Beauty, 2019
Ishbel Myerscough, Grief, Longing and Love, 2020
Giuseppe Gabellone, Siobhán Hapaska & Charlotte Posenenske, The Mobility of Facts, 2017
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
The Classical Now, 2018
Sargy Mann, Late Paintings, 2019
Chantal Joffe, The Front of My Face, 2019
Sargy Mann, Late Paintings, 2019
RA Schools Show 2015, 2015
Hayashi Seiichi, Red Red Rock, 2016
Physical Information series, Bloomberg SPACE, 2016–2017
Lucy Jones, Awkward Beauty, 2019
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
RA Schools Show 2015, Large-format Foamex print, 2015
Eva Grubunger, Five Problems, 2016
Hayashi Seiichi, Red Red Rock, 2016
John Loker, Horizons, Zones and Outer Spaces, 2018
The Classical Now, 2018
Hedda Sterne, Vertical Horizontal, 2020
Hedda Sterne, Vertical Horizontal, 2020
The Classical Now, 2018
Marcia Farquhar, The Dog's Bolex, 2019
Sasaki Maki, Ding Dong Circus, 2015
Katsumata Susumu, Fukushima Devil Fish, 2018
Marcia Farquhar, The Dog's Bolex, 2019
Eduardo Paolozzi & Lance Wyman, Metro: Art at Velocity, 2017
John Loker, Horizons, Zones and Outer Spaces, 2018
RA Schools Show 2015, 2015
Chantal Joffe, Personal Feeling Is the Main Thing, 2018
Chantal Joffe, The Front of My Face, 2019
Hedda Sterne, Vertical Horizontal, 2020
Nicola Hicks, Keep Dark, 2017
Hedda Sterne, Vertical Horizontal, 2020
John Loker, Horizons, Zones and Outer Spaces, 2018
John Loker, Horizons, Zones and Outer Spaces, 2018
Lucy Jones, Awkward Beauty, 2019
Sasaki Maki, Ding Dong Circus, 2015
Katsumata Susumu, Fukushima Devil Fish, 2018
Joe Hales is a London based graphic designer, whose work is underscored with an ongoing interest in the relationship between the form, function and content of print based media. This is reflected in projects spanning a diverse range of clients, where careful attention is paid to producing aesthetically relevant, clear and engaging typographic work.